The thing about not being beautiful is that
no one bends over backwards to impress you
you walk the streets flockless, sans gaggle of drooling sycophants,
passing through life unseen, unnoticed
you see people as they really are
and you must embrace them for their true, crappy selves
lest you dare attempt to summon the strength to tread life's thorny path alone.
The thing about not being beautiful is that
when someone tells you that you are, you don't know whether
you are being manipulated
he has crazily deluded himself into looking past your crooked teeth
a little of both (?)
And find beauty as you may within, outside yourself
the doubt may never be enough to convince you that the only meaning of waking up
and shutting down is
surviving the rigmarole until
the final sleep.
Sunday, September 16, 2012
Friday, July 27, 2012
what's in the cards?
Sometimes I breathe easier in Guatemala. Despite the exhaust fumes, the pollution, the sound waves that jar you so much that they might be doing something to your lungs, too, I breathe easier.
I've been having trouble imagining life in the US upon my return. Quiet. Controlled. Infrastructure, punctuality, indoor plumbing. Why have I been in my element for the last three months, where life is so inconvenient in so many ways?
What is it that I leave behind in the US?
What is it that I find in Guatemala?
I don't know. Maybe it's not actually worth thinking about.
I gave away my first deck of tarot cards, now over a decade old. I don't need to read anymore to know what's coming. I don't want to predict the future anymore; I want to write it. And if I check my horoscope, it's only to delight in how dreadfully wrong it is.
Sunday, April 22, 2012
Are they our hands?
Anecdotes are worth more than statistics.
A large hot chocolate with almond milk
snakes its way through my small intestines.
The silver-coated canvas stares at me
black outlines of fingers reaching for each other
I painted them.
the colors fermenting in the palette
are still wet
invite me to paint my future
A large hot chocolate with almond milk
snakes its way through my small intestines.
The silver-coated canvas stares at me
black outlines of fingers reaching for each other
I painted them.
the colors fermenting in the palette
are still wet
invite me to paint my future
Tuesday, April 3, 2012
Whole
I am a lone empress
a tall oak
whose roots are connected to the burning core of the earth
seething with enough energy
to crumble the strongest human-made foundation.
Cut down my branches
burn them
strip off my leaves
chill me with a perpetual winter
I will grow back.
Standing on the shoulders of Ceres, Lakshmi, the Virgin Mary,
I will offer you shade,
delicious shade,
in the heat of the summer
even as you destroy me.
a tall oak
whose roots are connected to the burning core of the earth
seething with enough energy
to crumble the strongest human-made foundation.
Cut down my branches
burn them
strip off my leaves
chill me with a perpetual winter
I will grow back.
Standing on the shoulders of Ceres, Lakshmi, the Virgin Mary,
I will offer you shade,
delicious shade,
in the heat of the summer
even as you destroy me.
Thursday, March 1, 2012
Interrupted
The knot has tied itself in my chest
into matted barbed wires that keep me wired
I need no caffeine
because frustration keeps me awake
all I wanted was to craft a love letter
and life gave me no time to breathe
no time to punctuate
no time to pour out my soul and myself in words, words, words
how I long for someone to read them
and to love me for them
in trying to unravel the knot
inadvertently it tightens
I try not to rustle the covers
as I try to snatch a hyphen or a colon
to break up these endless run-on sentences
there are no periods
there are no pauses
so I will struggle to breathe and sing through each phrase until I am red in the face
and then blue
that I could plunge into an underwater refuge and evolve gills
or not
and float dead to the surface
into matted barbed wires that keep me wired
I need no caffeine
because frustration keeps me awake
all I wanted was to craft a love letter
and life gave me no time to breathe
no time to punctuate
no time to pour out my soul and myself in words, words, words
how I long for someone to read them
and to love me for them
in trying to unravel the knot
inadvertently it tightens
I try not to rustle the covers
as I try to snatch a hyphen or a colon
to break up these endless run-on sentences
there are no periods
there are no pauses
so I will struggle to breathe and sing through each phrase until I am red in the face
and then blue
that I could plunge into an underwater refuge and evolve gills
or not
and float dead to the surface
Saturday, February 18, 2012
55
You hold out your cell phone, showing me a picture of your motorcycle. It's blue--my favorite color. At first I don't recognize the woman sitting on the bike, grinning at the camera. You've lost about 30 pounds since then. And you've died your hair red--one last time before it starts to fall out.
I tell you that I love your nail polish--teal with that crackle layer on top that I used back in high school. You make it look classy, even in that faded blue hospital gown. You tell me how badly you want to go to the makeup class they're teaching for oncology patients on Monday. I tell you that I hope you feel better soon so that you can go. I really, really hope you can make it.
I say goodbye, and promise to come back soon.
Later, I look at your CT, a mug shot of the cancer growing in your belly. Hidden inside, it managed to move to your liver and lungs before anyone knew it was there. I feel my throat close a little, that heaviness in my chest. I know that we are reaching the end, that there is little more we can offer you. I want to see you on that motorcycle again, your red hair blowing and those teal crackled nails clutching the handlebars, somehow outrunning the cancer.
You're 55. You're so young. It's not fair.
I tell you that I love your nail polish--teal with that crackle layer on top that I used back in high school. You make it look classy, even in that faded blue hospital gown. You tell me how badly you want to go to the makeup class they're teaching for oncology patients on Monday. I tell you that I hope you feel better soon so that you can go. I really, really hope you can make it.
I say goodbye, and promise to come back soon.
Later, I look at your CT, a mug shot of the cancer growing in your belly. Hidden inside, it managed to move to your liver and lungs before anyone knew it was there. I feel my throat close a little, that heaviness in my chest. I know that we are reaching the end, that there is little more we can offer you. I want to see you on that motorcycle again, your red hair blowing and those teal crackled nails clutching the handlebars, somehow outrunning the cancer.
You're 55. You're so young. It's not fair.
Saturday, February 11, 2012
Bricolage
The pain of being used and discarded
Every drop of nectar wrung from my body
lapped up greedily
like magnetic ambrosia
until nothing but a pile of bones remained.
My abandoned skeleton
has now the most insipid of sweetnesses left to offer
My parents' hair has lost its color, not its curl,
but who were all the crows
that perched at the corners of their eyes
and etched the wrinkles into their faces?
What were the sweets and the genes
and the memories
that make their wounds
unable to heal?
An egalitarian whim:
that I were a person
before this gendered body!
whose purity is assessed by penetration
whose virtue is found in the the one at her side
whose potential is realized when the empty space within
forms another gendered body.
Tortuous torrents of fear flow underneath
For there is no operation for cataracts
of the third eye.
What is written
I no longer know
Their shrinking spines,
the vapid sugar of my veins,
my hollow womb, clotting like a hardened heart,
all fill me with unease
my clouded intuition cannot dispel.
Every drop of nectar wrung from my body
lapped up greedily
like magnetic ambrosia
until nothing but a pile of bones remained.
My abandoned skeleton
has now the most insipid of sweetnesses left to offer
My parents' hair has lost its color, not its curl,
but who were all the crows
that perched at the corners of their eyes
and etched the wrinkles into their faces?
What were the sweets and the genes
and the memories
that make their wounds
unable to heal?
An egalitarian whim:
that I were a person
before this gendered body!
whose purity is assessed by penetration
whose virtue is found in the the one at her side
whose potential is realized when the empty space within
forms another gendered body.
Tortuous torrents of fear flow underneath
For there is no operation for cataracts
of the third eye.
What is written
I no longer know
Their shrinking spines,
the vapid sugar of my veins,
my hollow womb, clotting like a hardened heart,
all fill me with unease
my clouded intuition cannot dispel.
Sunday, February 5, 2012
Punctuation
Sometimes the silence is too much to bear.
A moment stolen
from intolerable rigmarole,
embodied in my smile:
relief, anticipation, creation
the neurotransmitter floods the synapse like
the dot of the exclamation point the sparkle in my eye
(!)
I could share
this with anyone.
I could.
But breath arrests action
and the mere act of inhaling
is a reminder that life is about accepting
being alone.
Smiling alone is sometimes too strange.
So:
turn on the radio,
listen to that pop song,
envision movement,
suppress the pining for the wish that
loneliness
could be put to rest earlier than
my death.
A moment stolen
from intolerable rigmarole,
embodied in my smile:
relief, anticipation, creation
the neurotransmitter floods the synapse like
the dot of the exclamation point the sparkle in my eye
(!)
I could share
this with anyone.
I could.
But breath arrests action
and the mere act of inhaling
is a reminder that life is about accepting
being alone.
Smiling alone is sometimes too strange.
So:
turn on the radio,
listen to that pop song,
envision movement,
suppress the pining for the wish that
loneliness
could be put to rest earlier than
my death.
Sunday, January 29, 2012
the streets of my old neighborhood
Tonight I took myself out
and had a vegan mocha cupcake
for dinner.
And then I walked myself home in the dark.
It was a perfect evening
in many ways.
I walked the streets of my old neighborhood
and passed that old house with the cluttered porch.
There are still more chairs
than inhabitants.
It makes me smile.
There is something healing
in putting one foot
in front
of the other.
But I must say
there is a deep ache within me
for that sacred space
where I can exhale
and know I belong.
For now
I will keep walking.
and had a vegan mocha cupcake
for dinner.
And then I walked myself home in the dark.
It was a perfect evening
in many ways.
I walked the streets of my old neighborhood
and passed that old house with the cluttered porch.
There are still more chairs
than inhabitants.
It makes me smile.
There is something healing
in putting one foot
in front
of the other.
But I must say
there is a deep ache within me
for that sacred space
where I can exhale
and know I belong.
For now
I will keep walking.
Sunday, January 22, 2012
To Remember
To remember is to imagine at a particular moment,
a particular place,
and perhaps
nothing more.
My longitude and latitude may predict hypercognition of grief, anger, betrayal,
the bottomless pit in my left ventricle draining my blood
when my mind conjures up his face,
or his,
or his.
Slovenliness and the historical record join hands to make me into
an archaeologist.
Unearth from a messy drawer
a picture frame with pressed dried flowers
collected from the mountains of Colorado
labeled with genus and species
My nose recalls with ease what my mind does not.
The teasing scent of blue detergent
the comfort of a warm burial in a pile of freshly laundered white shirts
next to someone who adored me
Those milliseconds challenge the veracity of my narratives
that prioritize their vile ways.
How much easier it is when the truth of your disregard for me
does not confront the Truth
of the complexity of human interactions.
The Truth we shall never know.
That I too am remembered
am imagined
am measured by moods
by meaning
by a need to make sense of this life
cannot stop my imperfect memories
so maybe it is better to have none.
--Anita
inspired by Julian Barnes "The Sense of an Ending"
a particular place,
and perhaps
nothing more.
My longitude and latitude may predict hypercognition of grief, anger, betrayal,
the bottomless pit in my left ventricle draining my blood
when my mind conjures up his face,
or his,
or his.
Slovenliness and the historical record join hands to make me into
an archaeologist.
Unearth from a messy drawer
a picture frame with pressed dried flowers
collected from the mountains of Colorado
labeled with genus and species
My nose recalls with ease what my mind does not.
The teasing scent of blue detergent
the comfort of a warm burial in a pile of freshly laundered white shirts
next to someone who adored me
Those milliseconds challenge the veracity of my narratives
that prioritize their vile ways.
How much easier it is when the truth of your disregard for me
does not confront the Truth
of the complexity of human interactions.
The Truth we shall never know.
That I too am remembered
am imagined
am measured by moods
by meaning
by a need to make sense of this life
cannot stop my imperfect memories
so maybe it is better to have none.
--Anita
inspired by Julian Barnes "The Sense of an Ending"
Monday, January 16, 2012
stranger
You are a stranger, even though
I am sleeping at your side, your arm resting on my hip
pulling me closer.
We are breathing in step, hearts aligned, fingers crossed
but even now, I feel so far away.
I am a girl at the bottom of a well, staring up at the sky.
I want you to know that I’m here
trapped in the darkness
but my voice is quiet. It does not carry so well.
I feel like I’m screaming, but I know it's just in my head,
in the way I look at you and hope to see you looking back,
in those ambiguous comments that pass by you like signs to places you have no intention on going.
I need you to ask--
to look down into the well--
to see me.
I don’t want you to join me,
to save me.
No.
Just to recognize that I’m down here
and not just the warm body at your side.
I am sleeping at your side, your arm resting on my hip
pulling me closer.
We are breathing in step, hearts aligned, fingers crossed
but even now, I feel so far away.
I am a girl at the bottom of a well, staring up at the sky.
I want you to know that I’m here
trapped in the darkness
but my voice is quiet. It does not carry so well.
I feel like I’m screaming, but I know it's just in my head,
in the way I look at you and hope to see you looking back,
in those ambiguous comments that pass by you like signs to places you have no intention on going.
I need you to ask--
to look down into the well--
to see me.
I don’t want you to join me,
to save me.
No.
Just to recognize that I’m down here
and not just the warm body at your side.
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